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Art Guide, 2023

REFLECTION

Catalogue essay for Woke In Fright, The Substation, 2022

PROSE / CATALOGUE ESSAY

Catalogue essay for Speech Patterns, Art Gallery of Western Australia, 2022

PROSE / CATALOGUE ESSAY

Dark Eden: Transdisciplinary Imaging, published by Art + Australia, Melbourne

BOOK CHAPTER

Profile on Leisuretime I, Performance Review, 2022

FEATURE

Catalogue essay for Spiritual Poverty, Gertrude Glasshouse, 2022

CATALOGUE ESSAY

Review of 2021, Performance Review, Melbourne, 2021

REVIEW / PROSE

Catalogue essay for 4am Flaming Arrows, Bundoora Homestead, Melbourne, 2021

CATALOGUE ESSAY / PROSE

Art Collector, Issue 97, 2021

ARTICLE

MeMO, Melbourne, 2021

REVIEW

Disrupt 01, Heart of Hearts Press, Melbourne x Perth, 2020

ARTICLE

A+a: Art and Australia, Issue Seven (56.2): Event Horizon, Melbourne, 2020

ARTICLE

Special Issue s, Melbourne, 2020

PROSE

Catalogue essay for Nathan Beard
HERE&NOW20: PERFECTLY QUEER, 2020

CATALOGUE ESSAY

Catalogue essay for Alexandra Nemaric, TCB Inc, Melbourne, 2019

CATALOGUE ESSAY

Spring 1883, Neon Parc, 2019

REVIEW

Catalogue essay for A Treasured Private Notebook, CCP, Melbourne and Metroarts, Brisbane, 2019

CATALOGUE ESSAY

Dwelling Poetically: Mexico City, a case study, Australian Centre for Contemporary Art, Melbourne, 2018

REVIEW

Catalogue essay in collaboration with Katie Paine for Collaboratory, Latrobe Art Institute, 2018

CATALOGUE ESSAY/PROSE

A+a: Art and Australia, Melbourne, 2018

REVIEW

A+a: Art and Australia, Issue Three (54.2): Unnaturalism, Melbourne and delivered at Experimenta Social #12: The Unstable Body and Its Image, Melbourne, 2017

ARTICLE

Catalogue essay for Aaron Christopher Rees, First Draft, Sydney, 2017

CATALOGUE ESSAY

A+a: Art and Australia, Melbourne, 2017

REVIEW

dumb brun(ette)*,  Melbourne, 2017

REVIEW

dumb brun(ette)*,  Melbourne, 2017

REVIEW

Catalogue Essay for Katie Paine, Rubicon ARI, Melbourne, 2016

CATALOGUE ESSAY

Ramesh Mario Nithiyendran, In The Beginning, Ian Potter Museum of Art, Melbourne, 2016

REVIEW

Fragmented Magazine #3, Melbourne, 2016

ARTICLE

Ramirez acknowledges the Traditional Custodians of the Land where he lives and works, the Wurundjeri people. He pays his respects to Elders past, present and emerging of the Kulin Nation.