2023

REFLECTION


Testing Grounds

Art Guide 


2022

PROSE / CATALOGUE ESSAY


You are looking at a fucking catalogue essay

Catalogue essay for Speech Patterns, Art Gallery of Western Australia



2022

PROSE / CATALOGUE ESSAY


We are all bad people

Catalogue essay for The Substation, Melbourne



2022

BOOK CHAPTER


Iconographic Necromancy

Dark Eden: Transdisciplinary Imaging, published by Art + Australia, Melbourne



2022

FEATURE


Leisuretime I, Aaron Claringbold and Rebecca McCauley

Profile on Leisuretime I, Performance Review



2022

PROSE / CATALOGUE ESSAY


Mediatrix of all graces ;)

Catalogue essay for The Seers, BLINDSIDE ARI



2021

REVIEW / PROSE


Are you okay?

Review of 2021, Performance Review, Melbourne, 2021



2021

CATALOGUE ESSAY / PROSE


4am

Catalogue essay for 4am Flaming Arrows, Bundoora Homestead, Melbourne, 2021



2021

ARTICLE




2021

ARTICLE


Atong Atem: Look Again
Art Collector, Issue 97, 2021



2021

REVIEW




2020

ARTICLE


The Monstrous Kiss and Its Perversions

Disrupt 01, Heart of Hearts Press, Melbourne x Perth, 2020



2020

ARTICLE




2020

ARTICLE


Dark Fate: The lens as a black hole

A+a: Art and Australia, Issue Seven (56.2): Event Horizon, Melbourne, 2020



2020

CATALOGUE ESSAY


💅 💀🌸 : Nathan Beard’s Limp-wristed Gestures

Catalogue essay for Nathan Beard
HERE&NOW20: PERFECTLY QUEER, 2020



2020

PROSE


So Melbourne

Special Issue s, Melbourne, 2020



2019

ARTICLE




2019

CATALOGUE ESSAY


The Falling Star

Catalogue essay for Alexandra Nemaric, TCB Inc, Melbourne, 2019



2019

REVIEW


Wicked Hotel

Spring 1883, Neon Parc, 2019



2019

CATALOGUE ESSAY


Mary, Holy Mary

Catalogue essay for A Treasured Private Notebook, CCP, Melbourne and Metroarts, Brisbane, 2019



2018

REVIEW


Floating Megalopolis

Dwelling Poetically: Mexico City, a case study, Australian Centre for Contemporary Art, Melbourne, 2018



2018

REVIEW


Nosferatu on Reddit: Hito Steyerl’s Factory of The Sun

A+a: Art and Australia, Melbourne, 2018



2018

REVIEW


The Will of Sound and Image

TarraWarra Biennial, 2018



2018

REVIEW




2017

ARTICLE


Semiotic Dungeons

A+a: Art and Australia, Issue Three (54.2): Unnaturalism, Melbourne and delivered at Experimenta Social #12: The Unstable Body and Its Image, Melbourne, 2017



2017

CATALOGUE ESSAY


Techno Ghoul

Catalogue essay for Aaron Christopher Rees,
First Draft, Sydney, 2017



2017

REVIEW


Bermuda Triangle: Repertoires of Contention

A+a: Art and Australia, Melbourne, 2017



2017

REVIEW


Lucreccia Quintanilla: The Void After The Colonies

dumb brun(ette)*,  Melbourne, 2017



2017

REVIEW


Phuong Ngo: Post-Apocalypse Now

The Substation, Newport, Melbourne, 2017



2016

REVIEW


Super Phalluses and Western Clutter

Ramesh Mario Nithiyendran, In The Beginning, Ian Potter Museum of Art, Melbourne, 2016



2016

ARTICLE


A Freak Encounter: anime fans and the friki subculture

Fragmented Magazine #3, Melbourne, 2016


Ramirez acknowledges the Traditional Custodians of the Land where he lives and works, the Wurundjeri people. He pays his respects to Elders past, present and emerging of the Kulin Nation.